人间与地狱,自古订下了休战契约,只要契约一日无人逾越,地狱邪魔便不能作怪。千百年来,两界一直相安无事。然而,地狱之中,一股酝酿已久的邪恶势力悄然蓄势待发......
能够行走于天地两界的暴君弩阿达王子(鲁克·高斯 Luke Goss 饰),妄图用鲜血唤醒无敌的魔兽军团,用地狱之火焚烧人间。在他的血的召唤下,地狱深处蛰伏已久的魔兽们纷纷冲出地底。面对无坚不摧的黄金军团,唯一能拯救人间免于堕入炼狱的,只有地狱男爵(朗·普尔曼 Ron Perlman 饰)。尽管身上流着恶魔的血,但早已皈依善良的红角撒旦,挺身而出站在了人类一边。他将同火焰女(塞尔玛·布莱尔 Selma Blair 饰)、鱼人(道格·琼斯 Doug Jones 饰)等“超自然研究发展局”的盟友一起,跨越阴阳两界屠魔,抵御人间浩劫!这一次男爵又会不会再次被邪恶本性蚕噬?
The story, set in rural Calabria in the late 1940s, tells of the friendship between a single mother and the local wedding planner, the only homosexual in the village. This friendship leads her to challenge the prejudices of the community and fight to find her place in the world.
In one fell swoop, nine-year old David Van de Steen lost his mother, his father and his sister in an attack by the Brabant Killers in Aalst. His grandfather, Albert, has the well-nigh impossible task of giving David a new perspective on life, a future.
Attenborough explores the planet's undersea habitats, revealing the greatest age of ocean discovery and emphasizing the ocean's vital importance while exposing its problems and highlighting opportunities for marine life recovery.
It’s official: Resident Alien has been renewed for a fourth season at a new NBCUniversal home, USA Network, moving from cable sibling Syfy.
As Deadline reported exclusively last month, the quirky sci-fi comedy-drama was not likely to continue on Syfy, with a move to USA as its most viable option to get a fourth season with a significant budget reduction.
Ewan McGregor impresses in Niclas Larsson's star-studded psychological indie drama based on Jerker Virdborg's novella.
Three siblings converge in a furniture store in the middle of nowhere. Here, their mother, portrayed by Ellen Burstyn, has barricaded herself on a couch. David (McGregor) does his best to diplomatically try to resolve the situation, but the other siblings (Rhys Ifans, Laura Flynn Boyle) seem to take the situation with frustrating nonchalance. And while the mother's stationary position on the couch brings forth Norenesque family conflicts to the surface, the furniture store appears increasingly labyrinthine, and David is chased through a never-ending Kubrickian nightmare with a desperate look in his eyes. Swedish director Niclas Larsson (Vatten, GFF 2013) returns to Gothenburg after a period in international advertising with a charged psychological drama that not only impresses with its star-studded cast.